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A Whiter Shade Of Pale by Procol Harum song meaning, lyric interpretation, video and chart position.
A Whiter Shade Of Pale by Procol Harum Songfacts. In the same Uncut interview, Keith Reid recalled the writing of the lyrics: .
Pierrot Le Fou made a strong impression on me, and Last Year In Marienbad. I was also very taken with surrealism, Magritte and Dali. Derivative Calculator Level 2 Cracked Version Of Snapchat.
You can draw a line between the narrative fractures and mood of those French films and 'A Whiter Shade Of Pale.'I'd been listening to music since I was 1. The Beatles, Dylan, Stax, Ray Charles. The period of 'A Whiter Shade Of Pale' was the culmination of that 1. But my main influence was Dylan.
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I could see how he did it, how he played with words. I'd met Pete Townshend through Guy Stevens (A& R man and Procol Harum's original manager), and he'd put my name forward when Cream were looking for a lyricist. Then Guy put me and Gary together.
I was writing all the time. I had the phrase 'a whiter shade of pale,' that was the start, and I knew it was a song. It's like a jigsaw where you've got one piece, then you make up all the others to fit in. I was trying to conjure a mood as much as tell a straightforward, girl- leaves- boy story. With the ceiling flying away and room humming harder, I wanted to paint an image of a scene. I wasn't trying to be mysterious with those images, I wasn't trying to be evocative. I suppose it seems like a decadent scene I'm describing.
But I was too young to have experienced any decadence, then, I might have been smoking when I conceived it, but not when I wrote it. It was influenced by books, not drugs.
It was twice as long, four verses. Hack Computers Fallout 3 New Vegas. The fourth wasn't any great loss, but you had the whole story in three. When I heard what Gary'd done with them, it just seemed so right. We felt we had something very important. As soon as we played it for anyone, we got an immediate response. In rehearsal, instrumentation was added.
We had this concept for the sound of Procol Harum to be Hammond organ, piano and blues guitar. No other band had that; it gave us a bigger sound.
It's a live recording. It's equal parts Dylan and Stax. On our own terms, we were always trying to make a soul record. Funnily enough, Otis Redding wanted to do it, but we wanted our record out first, and Stax wanted the exclusive.